如果ALAN像財神向歌迷派錢...

houseofalan

that would be so good

as long as it's not fake money

易打陸

八十年代到九十年代.有唔小Ching同我一樣眞金白銀按期交稅畀亞倫.
作為納稅人.Alan回饋畀我哋嘅係眞財實料嘅唱片同埋演唱會.可以講.
消費者先至係譚詠麟嘅財神爺.

但係.今時今日譚詠麟再做番財神爺.點解票房會仆到直.我諗佢眞係要諗諗.
宜家嘅娛樂氣氛同埋軌道.是否眞的同佢曾經歷嘅八十年代一樣?佢應該會
明白其實好多時.口碑會重要過一切.

陷阱不再是愛情
唱片不再是一出即白金
演唱會不再是暑假必修課
爛砌嘅賀歲片唔係奉旨收得
消費者的眼光和鑒賞能力.不再是kid!

houseofalan

yeah you're right but the thing is alan is just an artist, he probably has no creativity control over the filmmaking process or how he is being managed as a singer, maybe he just doesn't care, and in the eyes of the people in the entertainment business, alan is just a recycle of the 80s culture, and probably alan is happy with that...

maybe if alan took more active control over his music production and distribution instead of letting universal and the post-90s polygram screwing up his albums, he probably would be more successful, but then he probably would offend a lot of people, but alan chose to kiss other people's ass instead, and not being active in controlling his own career

陈颖真

今年都已经六十了， 活了超过半个世纪。 曾经是抱着梦想的温拿， 是迷倒万千的阿伦， 是众人尊敬的谭校长， 至今还有粉丝记得他， 支持他。 对他来说， 还有必要“争”吗？

易打陸

這個不是"爭"與"不爭"的問題.這是自身價值體現的問題.
作為FAN屎可以這樣去體諒Alan.但個Market不會跟你講交情.
現實是非常殘酷的.當年發哥一個票房毒藥.即時沉寂多年.
如果Alan的作品不受歡迎.不單是對他一種衝擊.也會少人support他.
這樣日後要再見到亞倫的作品.也難了.

這個社會是很現實的.如果你不唱不玩了.大眾和Market沒意見.半句指摘都不會有.
但如果你仍然想站在舞臺和銀幕前.沒人會跟你講"玩票".講"體諒"
利益代表一切.所以.不想"爭"也必須"爭".因為有Power去"爭".
才可以立足.才不致於被人淘汰.對得起自己也對得起個Market.

另:3# houseofalan

你講得啱.好多商業上的操作.係Alan控制唔到嘅.但係.好似Alan呢D級數
嘅Artist.其實對於接什麼job.怎樣去做.是有比較大的自主權的.就好似89
年Leslie錄『salute』嘅時候.有人建議佢必須選一首譚詠麟嘅歌嚟salute.
或者Leslie還太小氣.佢好鬧氣咁話:我係對歌salute.唔係對人salute......
呢個例子足以證明好似亞倫張國榮呢D級數嘅Artist.對於job有很大的自主權.
當年Alan揀刀郎合作.雖然罵聲不絕.但亦體現咗佢嘅"話事權".譚刀合作起碼
為Alan再次打開內陸市場.

至於接什麼樣的job.對於job有什麼定位和要求.就似乎跟個人的Taste和對個人
事業的前景展望有關.